Even though the program called out for a living room on the terrace for conducting business meetings and entertaining guests, the activities are very similar to what could have taken place in the Diwan-i-Khas. This pavilion opens out to a landscaped terrace in front. Hence the apt references for the design are the two pavilions from the 1960’s and the 1640’s. The form of the structure draws inspiration from the tensile fabric extensions as well as the oversized gutters of the Assembly Building.

The structure of our pavilion is conceived as a series of portals fabricated from steel reminiscent of Jean Prouve’s structural forms. The roof is a folded, pleated and stretched over the portals.

3D section

The pavilion responds to the direction of the sun with clear glazing on the North and East facades. The South is a layered condition of marble, air and glass block, to reduce heat gain. The space has a slatted wood ceiling reciprocated by a hardwood floor. The grains of which are in the direction of movement, accentuating the form of the portals.

The marble for the wall is of Indian origin, found in the quarries of Ambaji. Book matched, the veins of the stone panel reminds us of the ‘shoji’ screens that glow due to the translucency of the marble. The wood ceiling and flooring adds warmth to the space when juxtaposed against the steel and glass. The wood panelling continues inside a small room, resembling a ships cabin. This space serves as the client’s private office.

Plan

Our client’s are a young couple belonging to an old industrial family of Delhi. The space provides them an escape and a release from the responsibilities of a joint family system they belong to. Hence, a light and airy and yet personal ‘Pavilion.’

© Niveditaa Gupta

• Architects

  Harsh Vardhan Jain Architects

• Location

  New Delhi, India

• Category

  Houses Interiors

• Architect in Charge

  Harsh Vardhan Jain

• Design Team

  Dhawan, Sameeksha Gulati, Anahita Fotedar, Arushi Rana, Audarya Bansal

• Area

  455.0 ft2

• Project Year

  2018

• Photographs

  Niveditaa Gupta