Floor Plan

The proposed design weaves and integrates the above concerns. The fluid curvilinear formation is a reinterpretation of imagery of old ancestral house and also to reiterate the existing natural formation on the site. The house bends to allow views of the lily pond. and simultaneously generates an element of surprise in the experience of interior space. The entry verandah, lower and upper verandah that comprises a major part of the house and all these are oriented towards main garden and lily pond. These are a 15 feet cantilevered and hovering spaces that fuses with the surrounding landscape. The interior space lavishly opens into these semi-open verandah spaces.

The house is a ground floor structure having the master bedroom and daughter’s room at a higher level. The central spine segregates the living, dining, library and master bedroom on the side that has the main garden and lily pond. The rear bay houses the kitchen, mother’s room, and daughter’s room. The rear bay is also interspersed with landscaped entry court and the central court that relieves this bay and lets natural light within the house. The central spine also is illuminated by skylights to have a contrast to the dark Kotah floor.

The house is a fusion of raw character of outdoor spaces and the finesse of the interiors. The exterior material palette is natural jute panels on the curving beam face, Valsadi wood paneling, and doors, concrete ceilings, terracotta colored rough surface and rough Kotah stone flooring. This is further complemented by old renovated wood and cane furniture in the verandah spaces. The interior space, in contrast, has white walls, polished Kotah stone. The interior space fuses old and customized new furniture along with lots of artifacts, paintings, and Persian rugs.

© Bharat Aggarwal

• Architects

  Modo Designs

• Location

  Ranchodpura, India

• Category

  Houses

• Architect in Charge

  Arpan Shah

• Architectural Team

  Arpan Shah, Deep Bhagat, Khanjan Joshi

• Interior Design

  PVDRS

• Area

  630.0 m2

• Project Year

  2018

• Photographs

  Bharat Aggarwal